任伯年笔下的俗东说念主

任伯年是民间画家，早年移居上海，莫得应举出仕，仍是个目田工作者，也许正因如斯，他的绘图题材不错说是“毫无底线”，致使于众人都爱说任伯年的艺术充满“俗气”，那么其中的俗到底有多“俗”呢？

跟那些可爱卖弄好意思丽的艺术家不同，任伯年极少也忌讳我方的“目不识字”，读任伯年东说念主物画，总有一股“土壤”气味扑面而来，那些纳凉农夫、夜纺村妇、乞讨老夫、贩子屠户、柳荫牧童，一个没放过，皆备落在了他那“俗气纷飞”的题材中，却在其最精彩的文字里开出的一朵朵民间之花。

卖猪肉的

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任伯年《卖肉图》轴 1881年

纸本设色纵135厘米横33.3厘米

中央好意思术学院好意思术馆藏

放牛的

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任伯年《牧童攻读图》轴 1892年

纸本设色纵150厘米横57厘米

中央好意思术学院好意思术馆藏

杀狗的

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任伯年无香味图 1889年作

送碳的

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任伯年济困解危图 1883年

立轴纸本设色 80.8cm×36.8cm

故宫博物院藏

乞讨的

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任伯年《横云山民行乞图》轴 1868 年

纸本设色纵 147 厘米，横 42 厘米

中央好意思术学院好意思术馆藏

牧羊的

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任伯年牧羊图

任伯年《双童斗蟋蟀》1887

纸本水墨设色 175.6×47厘米

中国好意思术馆藏

哺育的

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任伯年渔归图

纳凉的

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任伯年桐阴消夏

补穿着的

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任伯年《补裘图》炎黄艺术馆藏

带娃的

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任伯年弄璋图

相知告别

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任伯年风尘三侠 1879年

过年回家的

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任伯年还乡图 1879年作

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